Enter a world of spaced-out, slowed-down sound with HalfTime, the only plugin 100% dedicated to half-speed effects, in use by Armin van Buuren, David Guetta, members of 808 Mafia, The Chemical Brothers and more.
HalfTime transforms any audio into a dark, downtempo version of itself, giving your tracks huge mood and atmosphere. Lead synths mutate into heavyweight EDM bass monsters. Plinky piano lines become haunting trap melodies. Percussion thickens, expanding to reveal new rhythmic possibilities.
Just add the plugin for an instant half-speed effect with zero setup. Or go in deep with powerful creative controls. HalfTime works on loops, virtual instruments or even live audio input, inspiring you in seconds.
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The hands-on Power button makes it easy to fit HalfTime into your tracks — create a rapid switch or sink in slowly with smooth fades up to 16 bars.
Three speed Modes give you classic half-speed, tight harmonies and shuffling swing rhythms, and drugged-out quad-time playback. Adjustable Loop length allows multi-bar slow-downs, funky syncopations and totally new grooves.
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Slow only the lows, mids or highs with the Band split — generate deep bass movement, fatten midrange percussion, or flip your top-end on its head.
Try it out — download the demo and use HalfTime in your tracks today. Little snitch rules.
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Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).